Cameras, sound, PA, lighting and fixed installations — engineered, rigged and run by one crew, from load-in to last cue.
Six disciplines, one crew. Every job is built from the same core lines.
Multi-platform broadcast encoding, switching and low-latency delivery — from a single confidence feed to a fully produced live show.
Multi-camera broadcast, cinema and studio packages — Cameras, PTZ Cameras and full ENG kits, matched and colour-managed for the job.
Mics, mixing desks, PA Systems and multitrack capture — clean signal from stage or set straight through to the mix.
Line arrays, monitors and stage boxes sized to the room — even coverage from front row to back wall, tuned on site.
Rig design, moving heads and DMX control for stage, set and studio — built to key a face or fill a hall.
Permanent AV builds for venues, offices and places of worship — cabled, commissioned and handed over with training.
SOUND & MEDIA SUPPLIES runs cameras, sound, PA, lighting and installation work out of one facility and one crew list — so the people who spec your rig are the people who run it on the day.
What production leads say once the rig is struck and the show's out the door.
They ran cameras, sound and the live stream out of the same call sheet, so nothing fell between departments on the day. Our engineering team didn't have to manage three separate vendors.
We booked the PA and lighting three weeks out for a 4,000-seat room and they were still tuning the rig an hour before doors. That kind of attention shows up in the mix.
The installation team came back six months after handover to retrain two new starters, no charge, no fuss. That's rare from an AV contractor.